Priscilla Quintana ( Good Trouble) and Aaron Staton ( Mad Men’s Ken Cosgrove) inject deranged energy as an ostenatious rich couple whose open marriage is causing friction. Bateman effectively mixes up the show’s energy, importing lupine intensity from past roles in projects like Netflix’s bonkers domestic thriller Behind Her Eyes.
Cuoco and Messina, both beloved sitcom veterans, were endearing enough to keep me from hating their unhinged characters her flustered charm complements his running-on-empty peevishness.